"IN HOLDING: A LOVE STORY" (2025)
Written/Created By: Breanna Taylor
Directors: Allie Morgan x RJ Smith
Co-Producers: Tiera Trammell x Breanna Taylor
Produced By: Muffy Films Productions x Bad Religion Society Productions
In Holding seeks to explore the dynamic between Cassidy and Lucan, a couple struggling against one another under the threat of immortality. The film's title alludes to the inner wrestling of Cassidy’s evolving thoughts and feelings about the status of her relationship, which is supposed to remain constant. As a self-assured and confident lover, Cassidy begins to question Lucan’s plans for their love life as he pressures her to join him in embracing immortality as a vampire. Cassidy battles against her better judgment and the lover she wants to be for Lucan to prove that she is invested. Still, she finds herself at odds with the relationship overall once she meets Azalea, Lucan’s past lover, in a ‘blood memory,’ which further reveals the cracks that have always been in the foundation of their love.
"THINKIN' IN FUTURES" (2023)
Created By: Breanna Taylor
Photography By: Jolee Mallmann
BTS Footage By: Sabria Borom
Edited By: Breanna Taylor
Instrumental Music: Alien Superstar | Beyoncé
I have always felt a bit wonky in the head about the things I like. I’ve always liked the obscure, the taboo, the weird, all of it. To me, those things were blueprints to living beyond the norm. By realizing this early on in my life, it was hard finding an outlet for a lot of the ideas in my head because I was always spinning with new ones. I loved clothes, gaudy jewelry, acting, dance, movies, horror, makeup, special effects, and everything else under the sun. To this day, I still love those things and in fact more. I consider this shoot to be the first of many opportunities to keep loving on the me that didn’t know what to do with all this creative spark. I am adamant about carving out space for myself and my aspirations. They matter. They always have. I come to love myself more by realizing that I exist in multiple spaces. The past, the present, and the future. And while it is important to reflect on where I’ve been and where I am, to deny myself the privilege of thinkin’ in futures, keeps me bound to old versions of myself that never get to explore.
Thinkin' In Futures
"We'll let you guys prophesy. We gone see the future first." - Frank Ocean
"MAYDAY! MAYDAY! MAYDAY! : THE WATER AND THE ZOMBIE" (2020)
This film is just one of many drafts. It was also the film presented at my Masters Symposium for NYU's Performance Studies department.
Written By: Breanna Taylor
Directed By: Breanna Taylor
Edited By: Marquise Mays & Breanna Taylor
Narration By: Breanna Taylor
A short film analyzing the complicated relationship between Black people and bodies of water. In the spirit of something being lost below the waves, only to resurface again; I am looking for what emerges or resurfaces from this study to help make sense of how water has been weaponized against Black bodies, looking specifically at the Atlantic Ocean.
I revisit the time period of enslavement to explain how Black people have become a relic of the impacts of forcible and violent movement across the ocean. Strategically utilizing this word 'relic,' I am making a connection to the 'zombie' horror figure, in which I use as a way to highlight the theme of “experimentation/zombification,” of the Black person as it relates to enslavement, positioning the ocean as the site of experimentation. The zombie will also be used to emphasize the topic of embodiment and social death as it relates to anti-blackness. It is my goal to not only bring about new ways of understanding the relationship between Black people and water, but how we continue to wade through death everyday.
"Salt, Fat, Ashes, Heat." (2020)
Created By: Eva Margarita
Directed By: Breanna Taylor
Produced By: Mateo Hurtado
Stage Managed By: Yarie Vazquez
In Association With: The Brown Theatre Collective & The Tank NYC
In exploration of an anarchive of blackness, in everyday life, Eva Margarita’s ‘Salt, Fat, Ashes, Heat,’ digests the idea of consuming the other. Done through a cooking practice, this conjuring aims to trace the cyclical flow of gathering, knowledge, and mourning for black folks across the Americas. Taking an endo-cannibalistic approach, Eva Margarita resorted to cook three different entrees with her father’s ashes to not only honor his spirit but to show how communities pass on knowledge through a practice in eating and conjuring with another. To consume the flesh is to commit to its history and its (re)invention. Taking place over the course of 12 hours, ‘Salt, Fat, Ashes, Heat’ served as a journey in memory, flesh, and the human need to accompany one another in life and death.
*In the spirit of conjuring an anarchive and embracing the notion of 'you had to be there to see it,' the performance is not available for viewing, but please click on the 'learn more' box below to hear Eva speak on her project and the continuation of conjuring. You can also click the 'panel,' tab to see the panel discussion about the performance.
"PARADISE PARK: A VISUAL POEM." (2020)
A POEM FOR MAYDAY! MAYDAY! MAYDAY!
I was inspired to write this poem after viewing some images from @blackarchives.co on Instagram! With so much of my focus being on my water project, I try and let flow of whatever I feel, think, etc. I imagined this poem being an accompanying voice to the beautiful people at the park, living life as best as they could. The fun of being in the water, the holiness of the baptisms, and how that fun and holiness comes together to meet with God wherever you are. Enjoy!
Sources:
1. State of Florida Archive
2. National Geographic
"LIVING DEAD" (2020)
"Living Dead," seeks to explore the confines of social death through the lens of Blackness. Honing in on the concept of "social death," I employ the "zombie' horror figure as a way to critique this deadness and its cause. This film in connection to "Distant Memories," is the foundational work on my project "MAYDAY, MAYDAY, MAYDAY," in which I will examine how social death and Blackness have been embodied (the zombie), in response to water being used as a site of execution, punishment, and horror.
Written By: Breanna Taylor
Directed By: Breanna Taylor
Actor: Breanna Taylor
Edited By: Marquise Mays & Breanna Taylor
Cinematography By: Marquise Mays
"DISTANT MEMORIES" (2020)
Distant Memories, an experimental, non-dialogue film hones in on the nightmare of Saz, who is tortured by water dreams. In connection to my project, "MAYDAY! MAYDAY! MAYDAY!, I wanted to experiment with dream elements and the concept of "ghostly" presence.
I’m doing a project about the relationship between black bodies and water, and how water has been used as a weapon (site of execution) during enslavement into the present. The character in the film is basically having nightmares about people being thrown overboard and drowning, which signals to embodied trauma, or the way the body processes and responds to trauma. The character gets scared once he realizes his dreams might have actually manifested a spirit from the deep.
Written By: Breanna Taylor
Directed By: Breanna Taylor
Actor: Jabril "Is" Muhammed
Assistant Director(s): Emily Mondrus & Blair Taller
"THE HUMANE EXPERIMENT" (2019)
The Humane Experiment is a series of performances that focuses on Blackness and how Blackness responds and interacts in the face of whiteness and/or white supremacy. Created by Jasmine Kiah during her first couple of years at the University of Wisconsin-Madison, The Humane Experiment also asserts pessimistic elements that ultimately prompt its audience to a pessimistic state of mind, leading to revolution. Using artistic mediums such as acting, poetry, dance, song, movement, visual arts, and film to demonstrate its purpose, we believe this is something that the UW-Madison campus and community can greatly benefit from.
Created By: Jasmine Kiah
Directed By: Jasmine Kiah & Breanna Taylor
Written By: Jasmine Kiah & Breanna Taylor